Welcome to the dramaturgical research blog!

In the fall of 2008, San Diego State University's theatre department produced an adaptation of Eugene O'Neill's Desire Under the Elms. This blog served as a source of dramaturgical information for the cast, crew, and University students attending the show. Each post focuses on research relevant to our adaptation, the reasons why we did the things we did, and any other answers to questions presented by the cast and crew.

Please explore the Blog Archive and Labels sections in the column to the right for specific topics,
because as with any blog the posts are ordered from newest to oldest
(as you scroll down, you will first see the aftermath of the production.)

Thank you for visiting, and feel free to email me with any questions/comments
about this eco-friendly dramaturgy blog! JoanMarieHurwit@gmail.com

-- Joan Hurwit, dramaturg

Sunday, September 21, 2008

My Dramaturgical Lecture in a TFM Class

Over the summer, Professor Mark Freeman asked me if I would be interested in presenting a lecture in his TFM 150 Screenwriting class. He was hoping I could shed light on our adaptation of Desire. He was specifically interested in the context of Desire in O'Neill's life, the process of a stage adaptation, and the relevance of our adaptation in the world today. I created a PowerPoint for the students and we discussed the plot, relationships, how to translate O'Neill's specific stage directions to the screen, and I graphed for them a chart of everyone's desires in Part 1, Scene 4. I learned so much and I hope they did too.

Here's the text from one of the slides that discussed working rehearsal themes, Randy's focus for the play, and relevant issues in the play that relate to current events.


Working rehearsal ideas:
From extreme poverty comes extreme cruelty; great poverty unchecked can cause catastrophic events

Is O’Neill’s play still relevant?
  • Do we still struggle with abuse, violence, and poverty?
  • Does the majority of America still turn a blind eye to poverty? Or do we pretend it’s not there because we see such wealth?
  • Is our culture fated to continue the cycle of greed?
  • Is it possible to find a balance between tradition and new age or will there always be a constant battle?
  • If we cannot recognize the signs are we fated to repeat our mistakes?

1 comment:

Outfoxing Coyote said...

Hi my sweet Joan- I love love love your dramaturgical blogs!! This set for Desire is just gorgeous. If we ever get Frybread produced, this is what I would imagine the set to look like!