While the Ozarks in 1926 weren't a core location for the development of the blues, this musical style encompasses many of the strongest elements of the play: violence, despair, passion, sex, longing, and the knowledge that, no matter how fast you run, the devil will catch up with you. Masters such as Son House, Robert Johnson, John Lee Hooker, and Lightnin' Hopkins poured their lives and hearts into their music, and the countless covers of their songs are a tribute to how the central themes of their work resonate today.
The sound design for Desire takes certain liberties in its choices; the timeline of artists spans the 1920's-1950's. In addition, blues musicians from different locations are featured; Delta, Texas, and South Chicago blues are all influences. However, all the pieces are acoustic, solo slide guitar and have been chosen for their sound and emotional drive. In addition, live blues will also be performed in the show; mood in the small theatre shifts dramatically with a musician on stage.
Included are videos of some blues masters who have been an
inspiration to the research. Though certain covers of their songs
by more current artists will be used in the production (for
improved sound quality), much of the spirit of Desire Under
the Elms can be felt in these driving rhythms, lyrics and chords.
--Michelle Caron
Son House - Death Letter
R.L. Burnside - Just Like A Woman
Lightnin Hopkins - Baby Please Don't Go
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