Welcome to the dramaturgical research blog!

In the fall of 2008, San Diego State University's theatre department produced an adaptation of Eugene O'Neill's Desire Under the Elms. This blog served as a source of dramaturgical information for the cast, crew, and University students attending the show. Each post focuses on research relevant to our adaptation, the reasons why we did the things we did, and any other answers to questions presented by the cast and crew.

Please explore the Blog Archive and Labels sections in the column to the right for specific topics,
because as with any blog the posts are ordered from newest to oldest
(as you scroll down, you will first see the aftermath of the production.)

Thank you for visiting, and feel free to email me with any questions/comments
about this eco-friendly dramaturgy blog! JoanMarieHurwit@gmail.com

-- Joan Hurwit, dramaturg

Tuesday, August 26, 2008

Early Inspiration




These were the first images that inspired director Randy Reinholz to adapt Desire Under the Elms.

O'Neill originally set the play in New England in the 1850s. Reinholz wanted to tell the same story in a different context; he chose the Missouri Ozarks circa 1910s. These images foretell the productions underlying themes of racism, class distinction, hard vs. soft, sexual desire, greed, and poverty.

Society has always and still does turn a blind eye to the issues of poverty. It is easier to pretend it is simply not there, when there's such wealth to compare.

If there is a lesson in this play, as Reinholz describes, it is that "great poverty, unchecked, will have catastrophic effect."

Paintings (from top): "A Social History of the State of Missouri: Huckleberry Finn" by Thomas Hart Benton, "Persephone" by Thomas Hart Benton, "The Ballad of the Jealous Lover of Lone Green Valley" by Thomas Hart Benton, "Night Hawks" by Edward Hopper.

1 comment:

Jean said...

What a great set of images to start with -- can't wait to see the show and how these inspire all of the designs.

Carlenne Lacosta, Native Voices Literary Manager

Jean Bruce Scott, Native Voices Executive Director